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Broadly, our protagonists’ mission is still to take down Vought, but how?īilly and his remaining Boys - Kimiko ( Karen Fukuhara) and her love interest Frenchie ( Tomer Capone) - are working off the books for the CIA’s Grace Mallory ( Laila Robins). (Frequently, things do burst: as a devoted fan of fictional violence, even I must caution that this show gets real messy).
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The challenge in trying to encapsulate The Boys season three is that unlike so many current shows that seem to stretch a movie’s worth of story over the length of a TV series, every episode of The Boys is packed to bursting with incident. I’m certainly not going to speculate as to what crossover there may be between these fictional fans and, say, “ release the Snyder cut” campaigners-but I don’t have to, because The Boys already has. Unfortunately, that doesn’t stop “Stormchasers” from holding violent rallies and potentially becoming a force in an upcoming presidential election.
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So as we rejoin the story for season three of The Boys, which begins one year after we left off, Vought’s crisis managers have supplied Homelander with talking points the company has also rewritten the narrative of the Rise Of The Seven movie to make Homelander look less complicit. Usher) killed Hughie’s last girlfriend by running straight through her, Hughie was recruited to the titular Boys by ex-CIA operative Billy Butcher ( Karl Urban) with the purpose of bringing down Vought.īut one of the advantages of owning a gigantic mass communications operation is using it to try to control public perception of your mistakes. Annie has a sometimes challenging relationship with her current partner, regular human Hughie ( Jack Quaid): after superspeedy Seven member A-Train ( Jessie T.
Since season one in 2019, our POV character has been Annie/Starlight ( Erin Moriarty), whose mother single-mindedly shoved her up the superhero ranks through child beauty pageants and acceptably Christian supe boyfriends. And Vought stages false flag operations to create more government demand for their “supes.” Vought also makes superheroes, by injecting children with Compound V, whom they then hire out in adulthood to support regional police departments. But Vought International isn’t only involved in tech and military contracting: Vought runs gas stations, makes food products, and operates multiple media companies on which The Seven - and the lesser superheroes who aspire to join them one day - are huge celebrities. Like The Avengers and Stark Industries, The Seven are closely tied to a corporation. Like the Justice League, The Seven includes a Greek-ish lady warrior, a black-clad creep, and a guy who can talk to fish.
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They wish they never discovered these gifts! But ultimately, they realize they have an obligation to fight, because - let’s all say it together - “with great power comes great responsibility.” What The Boys presupposes is, what if “with great power comes the absolute certainty that you’ll turn into a right cunt”?īased on a comic book series written by Garth Ennis and illustrated by Darick Robertson, Prime Video’s hit revolves around a group of superheroes called The Seven. This causes difficulties in this person/alien/god’s private life, because exercising their powers can have unintended consequences, and maintaining the secrecy required for their good works isolates them from the people they love. A person (or alien, or god) who has uncanny abilities uses them to help solve problems that plague less powerful people. Fourteen years into the Marvel Cinematic Universe - practically the very last shared experience in pop culture - we all know the beats of a superhero narrative.